[19] It is an adaptation of the three pieces that Gabriela Carrizo and Franck Chartier created between 2013 and 2017 with Nederlands Dans Theater. “When I was taking care of my mother, I felt time passing through me,” Carrizo recalls. [27], Peeping Tom was invited to develop a project as Artist in Residence for the Royal Museum of Fine Arts in Antwerp (KMSKA). They continue their lived underground, where social codes no longer exist.
Lilia Mestre. The pair met while working at several other Belgian companies, including Les Ballets C de la B. The play searches the memory and the subconscious to reveal what the mother carries as desires, fears, sufferings or violence. It is set on a ship at sea, where freedom and entrapment go hand in hand. [9] Le Sous Sol premiered on 28 March 2007 in the Koninklijke Vlaamse Schouwburg in Brussels. Kwaad Bloed.
The space above the audotorium in the copula dome was once used strictly for cleaning the chandelier, but has since been transformed into a space for opera and dance rehersals. The Belgium-based dance-theatre group, led by real-life partners Gabriela Carrizo and Franck Chartier, create work that defies logic. [16] In an interview with Bachtrack, Gabriela Carrizo explained the idea behind Moeder: "Moeder is not about one mother, but about several mothers.
A unique part of the show was Carrizo and Chartier's young child, Uma Chartier. 32 Rue Vandenbranden was the first show that Carrizo and Chartier co-directed after leaving the stage.
It’s just a thing: physicality, image, content.” The aim, always, is feeling and the point is that it goes beyond language. “We try to destroy the classical ways of being virtuosic,” says Chartier, “but we’re still always looking for a ‘wow’ moment.” 32 Rue Vandenbranden, for instance, is full of contortions and over-extensions; bodies behaving in ways that beggar belief. Confection costumes: Sara van Meer, Chiara Mazzarolo (internship). It premiered on 10 May 2014 in Theater im Pfalzbau (Ludwigshafen, DE) and was elected Best Dance Performance of 2014 by Dutch newspaper NRC Handelsblad. By using our site, you are agreeing to our use of cookies. Palais Garnier became the official name in 1989 with the construction of the Opéra Bastille, and the venue now houses primarily ballets. Private Cocktail + Champagne + Programme + Show (6 pers. Space, time and mood change, fiction breaks free and the hidden is illuminated. Among numerous other prizes, the popular and famous company received the prestigious Olivier Award in 2015 for its production «32 rue Vandenbranden».
Costume design: Gabriela Carrizo, Franck Chartier, Seoljin Kim, Yichun Liu, Louis‐Clément Da Costa.
After 15 years collaborating, Chartier and Carrizo agreed to work alone for the first time.
Le Salon was created in 2004 by Carrizo, Chartier and Versnel, with Mezzo-Soprano Eurudike De Beul and dancer Samuel Lefeuvre joining the cast. “You’re always looking for extremities. “I don’t believe in this border. krama dance company. Technical coordination: Pjotr Eijckenboom (creation), Hugues Girard (tour). “The notion of family has always been there – right from the start,” says Carrizo.
Meg Stuart/Damaged Goods. Peeping Tom's latest production, Vader (Father), is the first part of the trilogy Father-Mother-Children.
“There’s something contagious about movement and dance.”, Peeping Tom’s choreographic style stems from that.
You suddenly become a witness of what usually remains hidden and unsaid. Since then the creative path of the duo has been marked by success.
The building itself is considered a artful masterpiece, and was one of the most expensive construction projects to come from the Second French Empire under the reign of Napoléon III.
While soundscapes of everyday sounds turn into lost rhythms, the man performs a lonely battle with time, space and those who are absent. In 2019, the company announced a new round of international auditions, the first time since 2013. In 2015, he directed The Lost Room for Nederlands Dans Theater, followed by The Hidden Floor in 2017.
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