Let op! Here are complex, troubled, flawed people, brave enough to breathe deeply and take one more risk with their lives. Because they are African Americans, his wisecrack is interpreted as a racist remark, and he is called before a faculty tribunal. fascism; what's harder to believe is the self-abasing apology delivered late in the movie by one of Silk's tormentors.) Despite it's shortcomings and mis-castings, it still makes a powerful statement about our times. He decides the choice is clear, enlists in the Navy as a white man, and severs his links with his past. Its smallness is simply crushing. Eventually there is Faunia, but his talks with her are more confessional; with Zuckerman, he expresses his rage at the P.C. RELEASE DATE: June 2, 2020. FAQ met Anthony Hopkins, Nicole Kidman en Ed Harris. Playing the young Coleman with the requisite intelligence and ambiguity, Wentworth Miller contributes the sole viable characterization. "It's out there already with the Philip Roth novel. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The thriller aspects of the story and the overall solid level of acting -- including a sexy performance from a red-hot Nicole Kidman -- keep the audience interested but never fully emotionally involved. Box Office Now Playing The acting is phenomenal (especially Harris), and the film will be a nice challenge for those in search of one. Most movie characters are like Greek gods and comic book heroes: We learn their roles and powers at the beginning of the story, and they never change. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. Een schrijver tracht het verhaal van Silk's leven te ontrafelen. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. User Ratings I wish the movie had told us more about how he handled his new Jewish identity (by claiming to be completely secularized, I imagine). And this isn't a movie like 'The Crying Game,' which is really about its secret." The film's frame groans in its attempt to contain such a complex story, and its actors ask us to accept implausible things... but it's ultimately rewarding. edited by 106 minuten, geregisseerd door Robert Benton It's the flashes of dramatic lightning that make it a trip worth taking. His career and reputation are in ruins, his wife dies as a result of the ensuing emotional trauma, and Silk becomes estranged from his several adult children. And this is crucial: They can communicate through revelation, confession and empathy. The film's two big flaws are readily apparent: a clunky screenplay and the miscasting of the lead character. Which is more difficult? | | The Human Stain isn't a movie of ideas, and it's too inert to be a probing character study. Hij tracht ondanks dit alles zijn raciale geheim te verbergen en ook de relatie met zijn erg jonge schoonmaakster. Silk must have someone to confide in, and Zuckerman provides a listener. Though Human Stain is sometimes too chaotic and sometimes too neat, it boasts some of the best acting of the year. I think she clears it. There are heartbreaking scenes involving his mother (Anna Deavere Smith), whom he treats with cool disregard. Maar wat een mooie scène, tegenvaller, goed voor in slaap te vallen. The film's two big flaws are readily apparent: a clunky screenplay and the miscasting of the lead character. Notable Video Game Releases: New and Upcoming, What to Watch Now on HBO Max and the HBO App. Once he decides to pass, Coleman Silk finds it relatively easy to exist as a white Navy officer, college student and professor; he must have had problems, but we don't see them. Brit Bennett En wellicht nog iets erger is dat Wentworth Miller niet in de verte lijkt op Hopkins, en daardoor geen kans krijgt op geloofwaardigheid als de jonge Coleman Silk. His rage is fueled by his secret: He is an African American himself. Rather than defend himself, he resigns in a rage. Magazine Subscribers (How to Find Your Reader Number). The book presented several special, perhaps even insuperable, problems for adaptation to the screen, and the movie, which was directed by Robert Benton from a screenplay by Nicholas Meyer, hasn't solved them. For all its shortcomings, The Human Stain is an honorable, sometimes moving attempt, better at evoking the poignancy of Silk's autumnal affair than exploring the moral ambiguities of his deception. Playing the young Coleman with the requisite intelligence and ambiguity, Wentworth Miller contributes the sole viable characterization. RSS. But big ideas don't always size down for movie screens. 40. Anyone who works a 12-step program knows how strangers from different backgrounds become friends because they identify with similar experiences. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. See all external reviews for The Human Stain (2003). Most movie characters are like Greek gods and comic book heroes: We learn their roles and powers at the beginning of the story, and they never change. LITERARY FICTION MusicMeter.nl | Roth's late maturity looks more and more like his golden age. It's melodrama that rises to the complexity of art. As both book and film, The Human Stain comes to vividest life in its extended flashbacks, which offer the most compelling exploration of Roth's perennial themes of self-loathing and reinvention. Between the labors of simplifying the story for the screen and accommodating the stardust of world-class actors, an essentially, uniquely American tragic hero and heroine are bleached of real American tragedy. The Human Stain isn't a movie of ideas, and it's too inert to be a probing character study. [3 November 2003, p. 104]. Director Robert Benton allows the cast... to shine, but I was left wondering why such a very literary construction as this needed to be made into a movie. Een boeiend verhaal, maar de film probeert te veel te vertellen waardoor het als geheel soms wat rommelig overkomt. His family knows otherwise. The Human Stain takes a complex work of literary art and reduces it to tasteful melodrama. Philip Roth's ambitious and literary novel is … The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Inseparable identical twin sisters ditch home together, and then one decides to vanish. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress. Though the acting is fine, the leads are miscast, and the story is less powerful on screen than on the page. The result is something admirable but lifeless. It was different 50 or 100 years ago, but today most of us find it more difficult to deal in depth with someone of another class than with someone of another race. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. And there's the lifeboat factor; since they're both under extreme pressure, they're not looking for a "match," but need bailing out -- they respond to each other as rescuers. The movie coalesces into nothing: It's one of those films that makes you say, "That was powerful. That's because the secret belongs to the character, not the movie. The Human Stain (2003) mijn stem. Note: "The Human Stain" contains a significant secret about one of the characters. Benton's version of The Human Stain feels under-energized and modest to a fault. edited by Benton has laid bare a great author's creaky plotting only to deliver a melodrama with bookish pretensions. TvMeter.nl, Wiki | It’s free and takes less than 10 seconds! Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. The darker stuff begs to be handled less delicately than this dance, and in that respect the director stumbles. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Video . Awards The Human Stain is heavy going. | Harris is frighteningly effective as the ex-husband; hard to believe this is the same man who plays the kind football coach in "Radio." To cross the race line involves deep psychological anguish, as you betray yourself and your past, but in the routine of daily existence it is perhaps easier than crossing the class line. "What are they, spooks?"
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