The gain will add more compression to the sound overall, allowing you to have a more condensed, powerful sound. It’s not a deal-breaker, but it would be a better option for a pedal of this size. However, overdrives can sound really good when paired with distorted channels of tube amplifiers. The other feature is the company’s “Smart Gate” which is controlled with one knob. It is worth noting from the get-go that the Brian Wampler-founded company is frequently hailed as the cream of the crop of the boutique pedal industry. However, if you’re looking for a cheap pedal that will get the job done, you can’t do better than this. The same rule applies – the cheaper you go, the fewer controls you’ll get, and the build quality will suffer. Friedman is known for its high-end gear which is really popular among professional guitar players and even some big rock stars. The shine that the pedal gives off is also incredibly helpful for eyesight in dark venue situations. For those looking to play Death Metal music, it’s usually best to focus on getting extreme power in your sound. This is why I recommend the MXR M116 Full Bore as the best distortion pedal for metal available. If the tone itself isn’t very high-quality or the effects applied don’t sound good to you, there is little chance that the pedal is good in the long run. However, you need to be careful not to make the tone too “messy” and noisy. link to My Guide to Learning Guitar on YouTube (Pros & Cons), link to Is It Worth Upgrading Guitar Pickups? We have volume, drive level, and a 3-band EQ, along with a presence boost switch and a “tight” switch. It has everything you could want—6 different knobs to adjust (including gain, bass, mids, treble, tone and level), a mode for both clean and overdrive forms of distortion, and two different channels to use while distorting your guitar. Though you get a lot for your money, it’s quite overpriced and makes it not the most desirable product. Choosing the best distortion pedal for metal requires knowing exactly which features benefit the music itself and what type of music you want to be making. Firstly, we have two channels on this pedal, with each bearing individual controls for volume, mids, gain, and “weight,” which determines the character of your low-end. There’s also the simple clean gain boost that comes in handy when paired with tube amplifiers. Aside from volume and distortion levels, there’s also a simple 2-band EQ. The pedal itself feels quite flimsy and fragile, with the true bypass foot switch not feeling steady. What’s really unusual is that high and low controls are “global,” meaning that they tweak the tone of both channels. These switches can either be movable parts of the construction (like Boss pedals), or the regular simple footswitch. This is an ultimate distortion machine aimed at experienced professional players who know how to use the best out of all the parameter controls. The “open” setting is a bit loose and lets your guitar do more talking. The DS-1 is very similar, favoring power over nuanced customization options (i.e. One of the best budget distortion pedals on the market. Without getting rid of the mids, guitar players can get that much-needed presence in there. It’s the typical “chugging” pedal inspired by nu-metal. On top of this, the multitude of different knobs makes customizing your tone with nuance an intuitive experience. A pedal that allows flexibility in tone will undoubtedly be easy to use, typically offering users an intuitive interface to control the nuance with. The BE-OD pairs … Although it can find use in any genre, it’s a pretty great option for metal players, especially when combined with tube amplifiers as it helps guitarists get the best out of them.
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